Contact Information
- Office: LI 027
- Office Hours: Office Hours: Tue. & Wed., 3-4:45pm. Use https://tungle.me/jawalsh/ to schedule appointments (in 15-minute increments).
- Phone: 856-0707
- Web: http://www.slis.indiana.edu/faculty/jawalsh/
- Blog: http://www.biblicon.org/
- Twitter: @jawalsh
Course Description
This course is an introduction to the use of digital information and communication technologies in literary and humanistic study. We will survey the field of digital humanities, from electronic scholarly editing; to the computational analysis of style, theme, and structure; to considerations of the cultural impact of information technology on scholarly discourse, publishing, and the academy; to the study of virtuality and materiality of digital objects and their non-digital counterparts.
We will also study several specific technologies in detail, including eXtensible Markup Language (XML) and the Text Encoding Initiative. Students will be expected to generate critical work on subjects related to digital humanities and to perform some hands-on exercises using technologies common in digital humanities research.
Texts
Schreibman, Susan, Ray Siemens, and John Unsworth, eds. A Companion to Digital Humanities. Oxford: Blackwell, 2004.
Schreibman, Susan, and Ray Siemens, eds. A Companion to Digital Literary Studies. Oxford: Blackwell, 2007.
The above texts will be supplemented by online and reserve readings.
Assignments & Participation
Your grade will be based on 1000 points, distributed as follows:
- 200/20% Weekly Reporting / Reading Responses / Participation
- 200/20% Mid-Term Exam
- 150/15% Text Encoding Exercise and Reaction Paper
- 200/20% Term Paper
- 250-word proposal due March 1st
- Final paper due March 22nd
- 250/25% DH Project & short presentation
Weekly Reporting / Reading Responses / Participation
Each week two students will be responsible for parts of class discussion. One student will be responsible for reporting on events in the digital humanities Blogosphere and Tweetville. The other student will be responsible for composing reading responses, including contributions from other students.
Blog/Tweet Reporting
Each week, a student will give a 20-30 minute presentation on activity in digital humanities blogs and tweets. You will provide a summary of activity on a number of blogs and twitter streams or focus on one very interesting blog entry or twitter stream. The report should be informal. You will discuss what you've found in front of the class. You can and should make use of the Web and do a bit of “show and tell,” taking us to sites mentioned in the posts and tweets and exploring on the Web what is discussed in the blog entry or entries. Feel free to post links to resources that you may be reporting on to the class through Oncourse. I maintain a list of digital humanities blogs in my Digital Humanities Resources page, but feel free to discover additional blogs on your own.
Reading Responses
A student will be responsible for composing and/or collecting from other students at least six reading responses, all of which should be at least a paragraph of a few sentences and include questions for discussion, not just commentary. The list of responses/questions must be posted to the class on Oncourse by 7pm the evening before class meets.
Class Presentation Schedule
See the class presentation schedule for your assigned weeks. If for some reason the schedule does not work for you, you are responsible for switching with another student and informing me of the change.
Mid-Term
Essay examination.
Text Encoding Exercise and Reaction Paper
An exercise in encoding a literary work in TEI/XML and a short paper (500 words) reflecting on the exercise.
Term Paper
paper (2000-2500 words) on the topic your choosing (approved by instructor).
DH Project
Essay examination.
Attendance and Participation
Students are expected to attend and participate in class discussions, and turn in assignments on time. One absence *or* one late assignment is permitted during the course of the semester. In this first instance, no explanation is required; on the other hand, no excuses will be accepted for subsequent absences or late assignments, and a half-grade penalty will be assessed for each absence or late assignment after the first, on the grade for the semester.
Letter Grade Definitions
All grades will be assigned according to the Indiana University School of Library and Information Science Definitions of Letter Grades.
Schedule
12 January 2012
- Whirlwind introduction to our course and digital humanities
19 January 2012, Perspectives on DH
- Busa, Roberto A. "Foreword: Perspectives on the Digital Humanities." A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-1-2.
- Hockey, Susan. "The History of Humanities Computing." A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-2-1.
- Ramsay, Stephen. "Who's In and Who's Out" and "On Building." Read both posts and comments.
- Fish, Stanley. “The Digital Humanities and the Transcending of Mortality”.
- Burke, Timothy “The Author Is Human”.
26 January 2012, Disciplines: Classics, History
- Crane, Greg. "Classics and the Computer: An End of the History." A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-2-4.
- Crane, Greg. "Cyberinfrastructure for Classical Philology." Digital Humanities Quarterly. http://www.digitalhumanities.org/dhq/vol/3/1/000023/000023.html.
- Thomas, William G., II. "Computing and the Historical Imagination." A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-2-5.
- Cohen, Daniel J. and Roy Rosenzweig. "Introduction: Promises and Perils of Digital History." Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. Philadelphia: U of Pennsylvania P, 2005. http://chnm.gmu.edu/digitalhistory/introduction/.
2 February 2012, Disciplines: Literary Studies
- Rommel, Thomas. "Literary Studies." A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-2-8
- Price, Kenneth M. "Electronic Scholarly Editions." A Companion to Digital Literary Studies. Ed. Susan Schreibman and Ray Siemens. Oxford: Blackwell, 2008. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405148641/9781405148641.xml&chunk.id=ss1-6-5&toc.depth=1&toc.id=ss1-6-5&brand=9781405148641_brand.
- Price, Kenneth M. "Edition, Project, Database, Archive, Thematic Research Collection: What's in a Name?" Digital Humanities Quarterly. http://www.digitalhumanities.org/dhq/vol/3/3/000053/000053.html.
- Ramsay, Stephen. "Algorithmic Criticism." A Companion to Digital Literary Studies. Ed. Susan Schreibman and Ray Siemens. Oxford: Blackwell, 2008. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405148641/9781405148641.xml&chunk.id=ss1-6-7.
9 February 2012, Materialities
- Kirschenbaum, Matthew. "Introduction: 'An Awareness of the Mechanism." Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: MIT Press, 2008. 1-23.
- Hayles, Katherine N. "Print is Flat, Code is Deep: The Importance of Media-Specific Analysis." Poetics Today 25.1: 67-90.
16 February 2012, Materialities
- Kirschenbaum, Matthew. "'Every Contact Leaves a Trace': Storage, Inscription, and Computer Forensics." Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: MIT Press, 2008. 25-71.
- Galey, Alan. "The Human Presence in Digital Artefacts." Text and Genre Reconstruction: Effects of Digitization on Ideas, Behaviours, Products, and Institutions. Ed. Willard McCarty. Cambridge: OpenBook, 2010. 93-117.
23 February 2012, TEI Workshop
- Sperberg-McQueen, Michael and Lou Burnard. “A Gentle Introduction to XML.” from the TEI Guidelines.
- XML in 10 Points.
- Cummings, James. "The Text Encoding Initiative and the Study of Literature." A Companion to Digital Literary Studies. London: Blackwell, 2007.
- Vanhoutte, Edward. An Introduction to the TEI and the TEI Consortium.
- Chapters 1-4 and 7 of the TEI Guidelines.
1 March 2012, TEI Workshop
- Chapters 13, 16, and 17 of the TEI Guidelines
8 March 2012, Mid-Term & Guest Speaker, Dot Porter, Associate Director for Digital Library Content and Services, IU Libraries
15 March 2012, Spring Break. No Class.
22 March 2012, Speculative Computing
- Drucker, Johanna. "The Virtual Codex from Page Space to E-space." A Companion to Digital Literary Studies. Ed. Susan Schreibman and Ray Siemens. Oxford: Blackwell, 2008. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405148641/9781405148641.xml&chunk.id=ss1-5-5&toc.depth=1&toc.id=ss1-5-5
- Drucker, Johanna."Introduction: The Background to SpecLab." SpecLab: Digital Aesthetics and Projects in Speculative Computing. xi-xix.
- Drucker, Johanna."From Digital Humanities to Speculative Computing." SpecLab: Digital Aesthetics and Projects in Speculative Computing. 3-30.
29 March 2012, Spatial Humanities
- Nowviskie, Bethany. “‘Inventing the Map’ in the Digital Humanities: A Young Lady's Primer.” Poetess Archive Journal 2.1 (2011): n. pag. Web. http://paj.muohio.edu/paj/index.php/paj/article/view/11.
- Schreibman, Susan. “Digital Representation and the Hyper Real.” Poetess Archive Journal 2.1 (2011): n. pag. Web. http://unixgen.muohio.edu/~poetess/PAJournal/2_1/schreibman.pdf
5 April 2012, Projects
- Pitti, Daniel. “Designing Sustainable Projects and Publications.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-5-1
- Deegan, Marilyn and Simon Tanner. “Conversion of Primary Sources.” A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. http://www.digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-5-2
- Nowviskie, Bethany. NEH Grant Proposal: “Institute for Enabling Geospatial Scholarship.” http://www.neh.gov/grants/guidelines/pdf/IATDH_UVa.pdf
12 April 2012, Project/Publication Pairings
Henry II Fine Rolls
- Henry III Fine Rolls Project
- Ciula, Arianna, Paul Spence, and José Miguel Vieira. “Expressing Complex Associations in Medieval Historical Documents: The Henry Iii Fine Rolls Project.” Literary and Linguistic Computing 23.3 (2008): 311-25. https://oncourse.iu.edu/access/content/user/jawalsh/Ciula%20et%20al%202008.pdf
NINES
- NINES: Nineteenth-Century Scholarship Online
- Wheeles, Dana. “Testing Nines.” Literary and Linguistic Computing 25.4 (2010): 393-403. https://oncourse.iu.edu/access/content/user/jawalsh/Wheeles%202010.pdf
19 April 2012, Publication & Peer Review
- MediaCommons
- Fitzpatrick, Kathleen. Introducing MediaCommons
- Santo, Avi. MediaCommons 2: Renewed Publics, Revised Pedagogies
- Fitzpatrick, Kathleen. MediaCommons 3: Continuing the discussion
- Initial Responses to MediaCommons
- Fitzpatrick, Kathleen. On the Future of Peer Review in Electronic Scholarly Publishing
- Vershbow, Ben. Toward the Establishment of an Electronic Press
- McClymer, John. Teaching in a "collaborative, interactive, multimediated, networked, nonlinear, and multi-accented" Environment
26 April 2012, DH Project Presentations
- 10-minute presentation on of your DH project